Handpainted quilting fabric: what not to do!

Piecing the handmade fabric into the quilt

Silk screen printing, hand carved spiral stamp and bird created by covering an applicut in lumiere paint and then pressing into fabric. (Applicuts are made for easy applique to a quilt – see http://www.applicuts.com)

I think I’ve finally cracked it! I’ve tried a number of different mediums to combine with my regular acrylic paint to make them into ‘fabric paints’ with very mixed success. At last, I have found that print paste is my new best friend.

If you are thinking of creating your fabric for quilting then here’s a few of my ‘what not to do tips.’

Golden GAC 900

You can have too much of a good thing! I found that when I combined my paint with GAC 900, the result was often sticky. Perhaps I put too much but it seemed to be a fine line. For me, I want something that’s not as sensitive. That I didn’t have great success with this Golden product really surprised me. I am very attached to my golden paints and many of their mediums – they are simply a joy to use! However GAC 900 is being crossed off my list. Others my get it to work. I’m not that patient!

Permaset Supercover

Supercover = supertacky! I actually didn’t realise when I bought my black permaset textile paint that I had chosen Supercover. (Their paints come in standard and supercover). I think the idea is for a product which has a greater opacity. Unfortunately it gets a tacky feel which I really don’t like.

Believe your silk screen will stay clean

Every site I’ve read says it – don’t let your paint dry on your screen; clean it quickly. Well, it doesn’t seem to matter how speedy gonzales I am at getting the silk screen washed, my screen is not ‘clean’. What I soon discovered (after fretting I’d ruined my screen) is that it is more stained than dirty. I can still get really clear prints through it but I do have marks – particularly from phthalo green!

Believe you can stop at just one piece!

Piecing the handmade fabric into the quilt IIOriginally I’d only planned to put a small piece of my handpainted fabric into the quilt. I thought given I hadn’t put pieces in the centre parts that it would look like I’d tacked them on! With a dwindling supply of the fabrics already in the quilt, I’ve had to supplement. (At least that’s my excuse!)

Thinking starting with coloured fabric is a good idea! 

There are fiber artists out there who like to start with fabric which is already coloured – Lynn Krawczyk is one. She says she got tired of filling in the white spots! Perhaps it is because I’ve painted on paper and canvas first and fabric second, that I seem very attached to starting on white. I know how one colour layered on top of another will behave when I’m using paint. When I’m starting with a fabric colour, I’ve taken my art colour theory and adapted it – with very mixed results. I think it is because it’s hard to know the properties of the colour you are painting on. I stared at it for a while trying to decide whether it was a green or purple leaning blue; I deliberately chose a red loaded with crimson as usually you can make a beautiful purple out of a blue and red where each leans towards purple in it’s colour. I got dark mud instead! So, I’m sticking to start on white.

Forget to put gloves on

A lot of people recommend gloves whenever using any kind of paint for health reasons. In the case of silk screen printing, I’ve discovered that for reasons of ‘messiness’, the gloves are essentially. Somehow I regress back to a 2 year old and get it not only on my fingers but up my arms, elbows and on my clothes.

Think the cat will leave you alone

Wait until your cat is in a very deep sleep or suffer their curiousity you will!

So what is working?

Permaset Print Paste in combination with any of my acrylic paints seems to be producing a very consistent result. I like the Golden Fluid Acrylics the best but I think that’s just a result of my passion for them generally! Thicker paint does work and other brands seem fine – e.g. Matisse.

Lumiere Paints

As you need a fair bit of paint for silk screening, I’ve taken to using the lumieres for some embellishment on the top (see bird at top of this post) rather than using them through the screen. They do work beautifully as a screen print; it’s just me being stingy on my paint!

Waterproof Calligraphy pens

I’m loving the nice crisp line I can introduce with a calligraphy pen – especially amid the chaos that is my painting style! Now my quilt has the words ‘mad as a hatter’ up one side. It’s subtle enough that you can’ easily read it however still detectable.

I’m trying a few other things but I’ve yet to wash them so will let you know if they are a success!

Saffron and Yellow Handpainted and silkscreened fabric

Still in progress

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Posted on October 21, 2012, in Art, Art Quilt, Sewing and tagged , , , , , , , , , , , , . Bookmark the permalink. 1 Comment.

  1. When is your exhibition?

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