After about 6 months in the making, today I finally finished my first – and possibly last – quilt. This quilt was born out of an idea from Andrew: that we should make a quilt together.
He had his own ideas. A sea of aqua, turquoise, teal, blue and violet. A multitude of bright large format squares. I on the other hand wanted my usual earthy and autumnal tones. On the colour front, I’d say he got the lion’s share.
The construction didn’t quite take the format Andrew had expected. The pieces grew organically after the selection of the tree as the centre piece. We stencilled it with lumiere bronze paint together and I think at that point, he probably realised this wasn’t going to be a quick project. It was also not going to be without damage – at that particular stage, little flecks of bronze paint in his bathroom where I had washed out the stencil.
While he may have won on colour, I triumphed when it came to whimsy: the lizard in a teacup with a licorice allsort my favourite of the added amusements.
All cats feature: Saffron as a colour (poor Saff, it was the best I could do), Licorice as the aforementioned sweet, Pickle as his ginger self and Gesso as a purple squirrel. (The last act of the quilt was gluing on his eye today).
The black cat in the tree is the one Andrew wants that we don’t have.
Lizards also abound – some with functioning legs and some without. It is these unique references which make this truly one of a kind. A quilt that could only ever be the story of the two of us.
For those who have see my art over the years, this probably comes as no surprise. Anything I create is made for the purposes of self-expression rather than for it’s aesthetic qualities.
The idea of buying a quilting ‘kit’ holds no attraction at all – unless there’s someone out there selling Alice in Wonderland tribute meshed with wheels, cats, curly-ques and lizards?
As this is my first quilt I could hardly draw on any quilting skills as reference, so I instead returned to my mixed media toolkit.
I hand carved a spiral stamp using lino tools and a piece of rubber and just swapped my traditional media for fabric ink.
On the white rabbit – which went purple – I had to turn to my long suffering sewing teacher for advice.
I stuffed him with toy fill, only he kept springing a leak. With some cajoling, he finally agreed to keep his innards, well… within.
I managed the white backstitch outline but the point of his umbrella had a distinct wonkiness. The umbrella you see in the finished product had some expert intervention to correct it’s trajectory!
I discovered that I had insufficient patience for large areas of hand-quilting – although I must admit it does have a strangely meditative quality. The small area of pink spiral patterned fabric on the top left is one of the few spots where I did try out the old fashioned way. While I could claim this was out of wanting to be traditional, in truth, it was just testament to my lack of free motion sewing skills. In the end the only area I was happy to free motion were the tree roots, for it mattered not how bumpy and gnarled they became as I covered up each of my mistakes.
This free motion incompetence meant that I completed around each branch of the tree using a walking foot and turning the fabric. It was slow work which at times had me cursing Stencil Kingdom for not selling the tree stencil in a smaller size!
Other features are tiny in comparison – like a small trio of playing cards, or a teapot in the bottom right hand corner. Still I think they add something to the quilt and when you view it in black and white, it only serves to emphasise that together with the tree it’s these little areas of ‘light’ that pop out from all that purple.
Andrew still protests that it wasn’t bright enough – he wanted more pink and more yellow and red gingham (yes, can you believe it?). I on the otherhand wanted something a little less vibrant. That neither of us felt the colour is quite right, just goes to show that we did achieve a representation of us. It is neither his bright bold cheeky self, or my more muted tones, but somewhere in the middle. Today I looked at the quilt with more than a dash of pride. I’m not quite sure how I got to this point… how those ideas tumbled out… but I do know that we’ve created something we will both cherish for a long time. I have to say that I thought Andrew was a little nuts when he suggested we make a quilt. I’m glad he did.
PS: Acknowledgements & Materials
This quilt would not have been possible without the help of a special few and some amazing art suppliers out there.
I have to include a special thanks to The Stencil Kingdom, as without their business, that beautiful tree focal piece would not exist. Whoever was nutty enough to make a stencil with that many little twigs, I thank you. I’ve been buying stencils from this company in the UK for a number of years to use in my work. I don’t get them that often as postage from the UK is expensive however whenever I do, I add another tool to my art stash that’s definitely a keeper!
Fabric & Threads: Most of the fabrics have been sourced from Busy Bee Sewing, with just a couple of the Batiks from The Quilters’ Store. The stranded cottons and embroidery threads also came from Busy Bee and I just supplemented with a few special pieces from The Thread Studio in Western Australia (that gorgeous thick swirl at the bottom) and some I picked up from Room For Threads at the recent quilting show. (To the lady from this stall with the funky red glasses and clear passion for quilts, I assure you that both my and Andrew’s name and the date and the location are going on the quilt. Who knows where this quilt will end up after we are dead – hopefully not in the trash – but I agree it’s a lovely habit to get into signing and dating quilts just the same as we do other art forms).
Applique & Applicuts: To Kim Barter of Applicuts – a huge thank you. When I asked for a 3 inch squirrel as a special order, you obliged… the same with those doves! I know you weren’t sure what the hell I was going to do with them, or that they would become stencils in their own right, but I thank you for humouring me! (For anyone interested in the mileage I got out of a tool intended for applique: check out my earlier post).
Painting & Art Supplies: Thankfully, I really didn’t have to shop much – all the things I’ve accrued over the years came in handy. My old faithfuls – caran d’ache wax oil pastels – got a workout as well as the Golden Fluid Acrylics. Apart from some print paste, I really didn’t have to buy anything to paint that fabric. If anyone does need supplies, I get my Golden Fluid Acrylics from Alex at The Sydney Art Store. Actually, Andrew and I get almost everything art-wise there because it’s accessible (a rare thing for an art store) and Alex is just so helpful. I’ve even had times when Andrew has sent me in to buy a paintbrush and Alex has been happy for me to pluck a few out and go back out to the car so Andrew could choose for himself and then run back in to buy them.
Lastly, there are a few people I have to thank. (Yes, this is starting to sound like a bad award’s night speech).
To Bev Barter – dressmaking teacher extraordinaire. I’m not going to say that you are amazing woman, or a brilliant teacher, or an absolute hoot for company as I don’t want ANYONE else to want your teaching services for fear I will have to make way for new students! I want you to be stuck with me.
Seriously, thank you for fixing the licorice allsort, the rabbit’s umbrella, for teaching me french knots… oh… and how to quilt enough to get by on this project. Not that many people would have let a student do this as their first project. Which just goes to show you truly are one of a kind.
To Licorice, Saffron, Pickle and Gesso, thank you for all your assistance during the project. Sitting on the quilt was so helpful. Really.
Lastly, to Andrew for having the idea in the first place. For drawing that bloody woman, the white rabbit, helping to paint the tree, and all those little helpful comments along the way. Sorry about the pins I left in your couch, or all the threads that went into your vacuum cleaner! I know that you will forget all about these once you get to sleep under it and you are toasty and warm. You are a delight and a bugger at the same time. On this project I can truly say the idea was not mine alone, but mine.
