Impromptu art

IMG_3169 It’s been a while between impromptu art pieces and I’m clearly out of practice. Not only did I succeed in getting paint all over my hands but I also lent my arm on the heat gun and spent the next period with it under a tap, all the time hoping that Saffron was not about to take a walk across the painting table.

I started with bronze, cream and phthalo blue. I then decided I’d like to collage on the woman holding a beheaded man on a platter. Before anyone suggests it, no, Andrew has not done anything – this is not biographical! The only explanation I can give is that the colour of her skirt fit with my painting to date.

(By the way, if anyone can tell me who painted the original, I’d like to know… it’s in my miscellaneous collage pile and I have no idea where it came from).

I then wanted a tiger. That’s why I have a bird.

It really didn’t go very smoothly at all.

The best part of the whole art experience was opening up the watercolour pad to find the following piece I’d quite forgotten about.

I went to get a piece of watercolor paper from my stash and I re-discovered an old art piece. He looks better than I remember.

Acrylic, conte crayon and caran d’ache wax oil pastel on arches water colour paper.

Mixed Media Method

Spliced Collage 2I recently read a post by Lahgitana about her first exposure to mixed media following a slight lull in her mosaic work. Collage was one of my first artistic endeavours and it remains a true love.

When I get myself into an artistic lull, I have a mixed media method that I employ. I’ve had friends try it as well and it can produce fun results.

Here it is.

Step One: Image Selection

My get out of a rut method is very simple. I go to my collage stash and start to look through it – quickly. When I see something which catches my eye – I pull it out. Speed is important here. I’m looking for that instant gut feel that says ‘Pick me!’

I usually pick between 5 – 10 images and know that I won’t use all of them. The collage above I think uses just 4, although often it’s about 6-8 pieces together. While those familiar with Dover PIctorial’s re-use policy may think this target number is because you can use up to 10 of their images in your project copyright free, it’s more because too many pictures and I get a little lost in the process of pulling out all the imagery.

Step Two: No refining

Having selected my 5-10 images, there is a temptation to ‘assess’ them. I could say that I can’t have a hand that’s just as big as the woman. Or I have a background which looks to be indoors but I have a rhinoceros. The whole point of my quick selection process is to stop making predictable combinations. If there is any refining to be done, it will only be culling a few of the images I have chosen. Selecting more is not an option.

Step Three: Putting it together

The lovely part about collage is shuffling the bits around before deciding to stick! There are entire blog posts dedicated to the best ‘glue’ for collage. Personally, I love matt medium. I see no reason to look at anything else.

These days most of my collages will be couple with some other media – whether that’s acrylic glazes, charcoal or – my favourite – Caran D’ache Neocolor I wax oil pastels (a very long way of saying ‘expensive swiss crayons).

Yet looking at the collage above, going back to just black and white collage may be fun. I’m off work until January 2nd, I feel a collage coming on.

If you’re in a rut, give the above a go! It may not result in your best artwork of all time but I can assure you, fun will be had and something will get created.

Rhino on a tightrope


Rhino on a tightrope (unfinished)
Forgive the dodgy photography, for some reason I have trouble keeping my iphone steady at times. It’s been a LONG day, so maybe I’m just very tired.

Here’s the piece I started working on these last few days. I was having great fun with it too until I added the dodo bird. Unfortunately at that point I started to think too hard – what colour is a dodo bird?  Given it’s Tenniel’s drawing of the bird and it is in wonderland, perhaps it could be purple? In wonderland do things really have to be their true ‘local colour?’

I know what you’re thinking – how can a girl who put a rhino on a tightrope be worried whether she is painting a bird the appropriate colour? Well, perhaps my left brain kicked in at that point.

So, I’m having a vote…

Painting whale song

1 art helperI got up this morning and thought I’d paint. Then I checked my art table.

There was a furry obstacle.

So I walked up the street to buy bread instead.

Then I worked for a bit.

Followed by a bit of garden pruning.

Before re-checking the art table to see whether I could finish my piece.

2 art helpers
Nope. Double trouble.

So I had a power nap.

Then considered doing some more work.

Opened and the file and felt overwhelmed at where to start.

Walked to the bottle shop instead for some cider. (I had a craving for it. I’ll have a drink once every couple of months, so this is not a regular coping strategy!)

Finally, my art friends had evacuated and I could conclude painting the piece Andrew has named Whale Song. I’ve got no idea why. I’m not really sure what it is, so I’ll go with that title!

Whale Song

Abstract Doves

It’s been a while since I put paint to canvas. On Thursday night, after visiting a friend and meeting her new cat Tigger, I got home and did not feel like any more work. I’d worked Tuesday night, I’d worked Wednesday night. I know when you come back from holidays there’s always a catch up to be had. Unfortunately, I know that it’s not just a few days of catch-up. Two work priorities have collided and short of performing cloning myself, it’s clear I’m going to need some help to get through it or my boss is going to have to be happy with a significant delay.

Either way, by Thursday night, I just wanted to enjoy. I picked up a paintbrush. I covered one board in paint. It was too wet, so I picked up another, then another. I love working on three paintings at once. Tonight, I have 4 on the go. This is the only one I think is finished.

I think it looks like doves. I’m sure that people may see other things in those smudges.

Abstract Doves

Mixed Media on Linen covered MDF board. 10" X 14". Golden acrylics, caran d'ache neocolor I and collage.

Margaret the magnificent

Sketched with paint

One of my portraits in mixed media (acrylic and conte crayon)

My partner has a new painting teacher this semester. Her name is Margaret. I’ve decided to name her ‘Margaret the magnificent.’ I’ve not met her yet I like her!

She has told the class if they paint in oils, they must complete at least one project in acrylic and vice versa. Bravo! Yippee! Hallelujah!

Anyone who makes Andrew paint in acrylic, is owed an almighty cheer. It’s worth it just to see the sneer on his face.

Now he will tell you that he doesn’t look down upon us acrylic artists. That look he gets on his face – as if he’s been force fed a wet boiled cabbage – that isn’t oil painting snobbery. He would have me believe it’s something else. Yet I know the truth. It escaped one day. It was when he used words like ‘real paint’, simultaneously deriding collage as ‘decoupage’ or worse, scrapbooking.

I do my best to point out that some of the most famous artists of all time, like Picasso, have used collage. (I wish I could put into print the way in which Andrew pronounces that word. Perhaps I should only ever write it with italics. Collage. Insert sneer here). Each time he says it, I feel like collage is a tiny little grub of a man who dared to set foot on a pristine, historic, landscape. Mr Collage and Mr Acrylic are small minded men who had the ridiculous notion that they could compete with Master Oil. Big, pompous, Henry the Eigth sized OIL.

I’m sure that I’m not the first mixed media artist who has been told that acrylic is inferior; it’s only for those who can’t paint in oils; it’s not for real painters. The galleries don’t help. The word acrylic must be shunned in professional practice. Whenever I go to  gallery I discover ‘polymer’. Translated, I think that’s acrylic for pompous people.

The weekend Andrew undertakes this piece of homework I shall ensure I am struck down by a ‘sudden chill’ - Importance of Earnest style – so I do not have to bear witness to his dissatisfaction; his glum face; his annoyance with this inferior material.

With beautiful buttery mouthwatering paints such as those made by Golden on the market, I’m surprised that this ‘class system’ of painting continues. I’m delighted to see that Margaret the Magnificent is helping to break it down.

Isobel’s egg

Alice acquires an egg

Original Mixed Media Alice inspired painting

Thanks to a comment from Isobel, I got very bold and painted over a significant chunk of the Alice painting on the right, so that I may insert an egg. I know that Isobel was demonstrating her sound knowledge of Alice and Wonderland with her suggestion of a rattle or an egg. While humpty dumpty was clearly what she had in mind, an appropriated image from Dali was what immediately leapt into my head. It’s still bothering me though because I feel like the painting is divided in two by the addition of the egg. It is competition with Alice for your attention rather than a complement for Alice. I’m not sure the egg will survive for too long. I’ll sleep on it though. The thought. Not the egg. I don’t fancy a pillow full of eggshell.

Alice minus directions

Alice updated
Who knew that a ‘Hare’ and ‘Hatter’ street sign would be so difficult. I can’t decide whether to have a second go or remove it altogether. One thing’s for sure… mum will be please the dark shape that used to sit above the dragon’s head is gone.

Maths by mother




Taking shape

Originally uploaded by scroobious_pip

‘If you pick up 10 things a day, that’s 70 you’ll have done by the end of the week’. This be mother logic.
What doesn’t get considered by mother logic is whether I put down, bring in, or have cats move more than 10 things per day.
Actually, it’s not such a silly idea. I have been at least more aware of where I put things. I notice when it comes to tidying I feel probably 2% less overwhelmed as more things have ‘homes’ within my home. This weekend the keys got given a home. A significant thing for they are one thing I cannot leave the house without and of course, I always seem to lose them when running late.
Speaking of losing things, I couldn’t find saffron today. Licorice was in the washing basket (the one they have been sitting in together) but saffron was nowhere in sight. It’s a one bedroom unit – how can I lose a cat in here? Anyway, after a few minutes of searching, I finally discovered her behind a canvas. When I tilted the canvas back and finally found her, all she had to say was ‘mau’ and give me a look of… well, ‘how dare you, I was asleep!’

Darren asked me the story behind the painting of the man in blue with the nickel azo gold background. He’s on unstretched canvas – around A3 size. I have not used unstretched canvas before. I have a friend who lives in Florida / New York (yes I know my geography, but he seems to hop between the two)… and he wants a piece of my art. I was wondering how unstretched canvas would be to work on as it would be easier to ship. Anyway, so I was fooling around with it. My usual – a background of collage, acrylic, crayon, and in this case clear tar gel. I went searching for a photograph which would inspire a face. I located one that seemed to hit the emotion of the moment and off I went. This is one of my quick painting sketches. They are generally small, rough and unrefined. They capture the mood of a night and to go back to them and edit significantly later seems like I would be changing the piece. Often because I’m sketching quickly they are down using only one or two colours – here it’s mainly phthalo blue and burnt sienna.
I did come back the next night or so and make some modifications, however these were really just to tone down some of the background. I didn’t touch the face.
I’m sorry Daz that it’s not a more exciting story… I suppose when a painting happens that fast it often has no story. It is but a moment.
The piece to the right on the other hand has been several months in development. I am thinking I am going to call her Agnes. At one stage I had only given her one eye… very normal for me. At the urging of my parents, she acquired a second eye. I liked each eye yet not together. I decided one needed to go! Before I got rid of it completely I wondered what it would look like if I made one eye look on a separate plane to the other. The was the start of the cracks and the shapes. I had no intention of making so many shapes in this piece. It was guided by trying to save one eye and influenced by a DVD I very much enjoyed from creative catalyst with Carla O’Connor. She talked a lot about closing off shapes… outlining shapes that bother you and see where that leads. Well, there are still some shapes – outlined and unoutlined! – which bother me in the piece… hey… I could outline saffron? Not sure she would appreciate that. Actually she’s conveniently masking an area that is still bothering me…

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